-
Francis BaconEtude Pour un Portrait de John Edwards II, 1986lithograph on Arches paper68.5 x 55cmsigned
-
Romi BehrensJug, Bowl, Fruit, , 1986oil on board122 x 122cm
-
David Hockney RALandscape with a Plant, 1986original print on 100% rag Arches 120g laid paper
edition of 5027.9 x 43.2cmsigned -
David Hockney RAMan Reading Stendahl, 1986original print on 100% rag Arches 120g laid paper35.6 x 21.6cmsigned
-
Keith HaringPortrait of Joseph Beuys, 1986screenprint on canvas79 x 60.3cmsigned
-
Romi BehrensStill LIfe III, 1986oil on board25 x 56cmsigned
-
Roy LichtensteinWhaam, 1986offset lithograph (diptych) on Huntsman Superwhite cartridge paper
published by Tate Gallery
edition of 3000 unsigned64 x 74.5cm (each)unsigned -
George DannattFlint with Obverse, 1985mixed media including conte crayon on paper20.8 x 26.2
-
Romi BehrensPottery Teapot, 1985oil on board46 x 51cm
-
Keith HaringUntitled 3 from Free South Africa, 1985lithograph on Rives paper
edition of 60100 x 80.8cmsigned -
Patrick CaulfieldFemale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 42cmsigned
-
Patrick CaulfieldMale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 41.8cmsigned
-
George DannattPurbeck Drawings Series 1 No.4 , 1983pencil & crayon on ink wash on paper29.2 x 23cm
-
Romi BehrensTeapot and Mug, 1983oil on board46 x 61cm
-
Tom WesselmannLulu, 1982lithograph on japan paper
ediiton of 250
Published by Metropolitan OPera and Circle Gallery, New York56.3 x 76.6cm (paper)
42.6 x 63.8cm (plate)signed -
George DannattPot au Feu, 1982acrylic on board28.7 x 48.4cm
-
Sir Terry Frost RABrown Blue and Black Descending, 1981original screenprint
signed73 x 53cm (image)
80 x 59cm (paper) -
George DannattCollage in Brown, Blue & Red, 1980collage on paper39 x 49cm
-
Roy LichtensteinGirl in the Woods, 1980woodcut on Arches paper
edition of 5084.3 x 81.3cmsigned -
George DannattOne, 1980collage with paper32 x 38cm
-
Francis BaconL’Homme au Lavabo, 1978etching and aquatint on Arches paper47.5 x 36.3cm (plate)
67.5 x 52cm (paper)edition of 146signed -
Henry MooreReclining Figure, 1978etching19 x 25cm (plate)
24.6 x 35.6cm (sheet)unsigned -
Henry MooreReclining Nude, 1977-78etching and wash14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned
-
Henry MooreReclining Nude, 1977-78etching14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned
-
Joan MiroPaysage anime, 1977pencil and crayon22 x 29cmsigned in pencil
-
Joan MiroPaysage anime, 1977pencil and crayon22 x 29cmsigned in pencil
-
George DannattStudy for Sandbar, 1976mixed media on paper16 x 20.5cm
-
Margaret Lovell D.LITT, FRBS, RWAWinged Spiral Tower, 1976bronze43 x 9cmedition AC 2
-
Marc Chagall (1887 - 1985)Ce lui qui dit les choses sans rien dire (Plate 22), 1975 - 76etching & aquatint on Velin Arches paper
proof of an edition of 225, with the publishers watermark ME47 x 36cmunsigned -
Julian TrevelyanAigues Mortes , 1975etching, edition of 57
signed35.5 x 47.9cm -
Robert IndianaPhiladelphia Love, 1975screenprint on Arches paper61 x 61cmsigned
-
John PiperSmailholm Tower, 1975gouache on paper39.4 x 58.4cmsigned
-
William ScottUntitled, from a Poem for Alexander, 1975screenprint on paper
edition 58/727.6 x 38.2cm (paper)
48 x 22.2cm (image)Signed -
Joan MiroLe Bleu de la Cible, 1974etching, aquatint and carborundum
edition 31/5066 x 50.5cmsigned in pencil -
Allen Jones RAOne Way Traffic, 1974screenprint on paper,
Artist's Proof76 x 64cmsigned -
Margaret Lovell D.LITT, FRBS, RWAPetal III, 1974bronzeH. 33cmedition 5 of 6
-
Julian TrevelyanSilo, 1974etching, edition 1 of 25
signed25.5 x 35.5cm (plate)
40 x 59cm (paper) -
Henry MooreSeated Figure and Ideas for Sculpture, 1973-4lithograph26.7 x 24.4cmsigned
-
Howard Hodgkin RABed, 1973aquatint from three plates
edition of 50
signed20.6 x 31cm -
Howard Hodgkin RABreakfast, 1973aquatint from three plates
edition of 50
signed20.6 x 31cm -
Patrick HeronJanuary 1973, Plate 14, 1973screenprint, edition of 7258 x 82cmsigned
-
Patrick HeronJanuary 1973, Plate 17, 1973screenprint, Artist's Proof edition59 x 81cmsigned
-
Patrick HeronJanuary 1973, Plate 18, 1973screenprint, Artist's Proof68 x 92.3cmsigned and dated
-
Patrick HeronJanuary 1973, Plate 8, 1973screenprint, edition of 7259 x 80cmsigned
-
Patrick HeronJanuary 1973, Plate 9, 1973screenprint, Artist's Proof edition59 x 81cmsigned
-
Henry MooreStonehenge IX, Head of a Giant, 1973lithograph41.2 x 29cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed
-
Henry MooreStonehenge XI, 1973lithograph
edition of 6045 x 28.5cmsigned -
William ScottAngles Equal, 1972screenprint, edition of 72
signed58 x 78cm -
William ScottBrown Field Defined, 1972screenprint, edition of 72
signed58 x 78cm -
Joan MiroMiro a L’Encre, 1972lithograph on Arches paper
Artists Proof of an edition of 7055.5 x 43.5cmsigned in pencil -
Ben NicholsonStill Life, 1971lithograph47.5 x 66cmsigned verso
-
Henry MooreThree Reclining Figures, 1971lithograph on paper19.9 x 19.2cmedition of 5000unsigned
-
George DannattTwo Blacks, 1971graphite, charcoal and crayon on paper24.6 x 30.7cm
-
Patrick HeronUntitled, 1971screenprint, edition of 75
signed79 × 59cm -
Tony O'MalleyWindow, 1971etching, edition 2 / 20
signed25.4 x 25.4cm -
William ScottCup and Pan Blues, 1970screenprint, edition of 100
signed59.4 x 88.3cm
Public Collections: The Government Art Collection; Tate Galleries -
Sir Terry Frost RAGreen and Orange, 1970lithograph, edition 1 of 75
signed50.8 × 65.7cm -
Joan MiroLe Présidente, 1970etching, aquatint and carborundum on Arches paper
edition 12/7565 x 48cmsigned in pencil -
Patrick HeronSix in Vermillion with Green in Yellow, 1970screenprint, edition of 100
signed78 x 59cm -
Patrick HeronSix in Vermillion with Red in Red, 1970screenprint, edition of 100
signed78 x 59cm -
Margaret Lovell D.LITT, FRBS, RWAAugustine Head, 1969bronze, edition of 694 x 33cmsigned
-
David Hockney RAPleading for the Child, 1969etching on handmade paper
edition of 100 signed impressions62 x 46cm (paper)
45 x 32cm (plate)signed -
Roy LichtensteinRed Barn, 1969screenprint on Fabriano paperedition of 250signed
-
Barbara HepworthSquares and Circles, 1969lithograph, edition of 6053 x 70cm
Public Collections: Tate Galleries -
Barbara HepworthTwo Marble Forms, Mykonos, 1969lithograph, edition of 60
signed82 x 58cm
Public Collections: Tate Galleries -
Margaret Lovell D.LITT, FRBS, RWAVertical Flow, 1969bronze118 x 23 x 23cmsigned
-
Sir Terry Frost RABlack and Red on Blue, 1968original screenprint on Kent wove paper
edition of 75
signed57.4 x 77.2cm (image)
101.5 x 68.5sm (paper) -
After René MagritteL'Art de Vivre, 1968etching, edition VIII/XXV
in addition to edition of 200 'hors commerce'8.25 x 12.5cm (plate)
28 x 21.5cm (paper)with artist's signature stamp, also stamped “Gravure Originale Atelier René Magritte" -
After René MagritteLe Pretre Marie, 1968etching, edition VIII/XXV
in addition to edition of 200 'hors commerce'14 x 9.5cm (plate)
22.5 x 28.75cm (paper)with artist's signature stamp, also stamped “Gravure Originale Atelier René Magritte" -
After René MagritteL’Homme au Chapeau Melon, 1968etching, edition VIII/XXV
in addition to edition of 200 'hors commerce'19.5 x 14cm (plate)
28 x 21.5cm (paper)with artist's signature stamp, also stamped “Gravure Originale Atelier René Magritte" -
After René MagritteL’Oreille Cloche, 1968etching, edition H.C.
edition of 20010.3 x 15.2cm (plate)
22 x 27.5cm (paper)with artist's signature stamp, also stamped “Gravure Originale Atelier René Magritte" -
Salvador DaliProjet pour l'installation 'Rainy Taxi', 1968gouache, pen and pencil on paper26.7 x 18.5cmsigned
-
George DannattSmall Oil Painting October 1968, 1968oil on paper12.8 x 17.8cm
-
Ben NicholsonPalaestra with Moon, 1967etching, cancelled with crayon with cancelled etching plate34.4 x 48.5cm
-
George DannattTownscape, 1967oil on paper13 x 18cm
-
Ben NicholsonTurkish Sundial and Tree, 1967etching31.8 x 22.6cmunsigned
-
Ben NicholsonTurkish Sundial Between Two Turkish Forms, 1967etching
artist's proof aside from an edition of 5025.3 x 33.5cm -
Ben NicholsonTurkish Sundial, Column and Tree , 1967etching31.6 x 26.5 (plate)
43.5 x 37.7cm (sheet)unsigned
Page
4
of 13