Artworks

  • Sandra Blow RA, Transparency, 2004
    Sandra Blow RA
    Transparency, 2004
    silkscreen
    edition of 130
    71.5 x 71cm
  • Romi Behrens, Pineapple with Mixed Fruit, 2003
    Romi Behrens
    Pineapple with Mixed Fruit, 2003
    oil on board
    46 x 46cm
  • Sandra Blow RA, Screen Kiss, 2003
    Sandra Blow RA
    Screen Kiss, 2003
    screenprint
    Artist's Proof, edition of 75
    signed
    76 x 73cm
  • Howard Hodgkin RA, Skies the Limit, 2003
    Howard Hodgkin RA
    Skies the Limit, 2003
    screenprint on wove paper, edition of 72
    signed
    81.9 x 92.7cm
    Public Collections: The Government Art Collection
  • John Croft CBE, June 2002, 2002
    John Croft CBE
    June 2002, 2002
    oil on canvas
    60 x 60cm
    signed and dated
  • Sir Terry Frost RA, Vertical Lines, 2002
    Sir Terry Frost RA
    Vertical Lines, 2002
    oil on canvas collage
    signed
    29.5 x 29.5cm
  • Margaret Lovell D.LITT, FRBS, RWA, Vertical Wave, 2001
    Margaret Lovell D.LITT, FRBS, RWA
    Vertical Wave, 2001
    bronze
    H. 29cm
  • Sandra Blow RA, Millennium, 2000
    Sandra Blow RA
    Millennium, 2000
    screenprint
    edition of 100
    63.8 x 51.2cm
    signed
  • Tom Phillips RA, Moment Musicale, 2000
    Tom Phillips RA
    Moment Musicale, 2000
    etching, edition of 100
    signed
    51 x 65cm
  • John Hoyland RA, Over Blue, 2000
    John Hoyland RA
    Over Blue, 2000
    screenprint and woodcut
    60 x 50cm
    signed
  • David Mach RA, Untitled, 2000
    David Mach RA
    Untitled, 2000
    screenprint, edition of 100
    signed
    51 x 65cm
  • Patrick Caulfield, Vase, 2000
    Patrick Caulfield
    Vase, 2000
    screenprint on wove paper
    edition of 100
    63.8 x 51.2cm
    signed
  • Breon O'Casey, Landscape, 1999
    Breon O'Casey
    Landscape, 1999
    linocut
    edition of 15
    47 x 61cm
  • George Dannatt, Untitled, 1999
    George Dannatt
    Untitled, 1999
  • Eduardo Paolozzi, Untitled, 1999
    Eduardo Paolozzi
    Untitled, 1999
    silkscreen on wove
    62 x 51cm
    signed
  • George Dannatt, White Discus, 1998
    George Dannatt
    White Discus, 1998
    oil on board
    8.6 x 27.8cm
  • John Croft CBE, January 1997, 1997
    John Croft CBE
    January 1997, 1997
    oil on canvas
    40.5 x 51cm
    signed and dated
  • John Croft CBE, March 1997, 1997
    John Croft CBE
    March 1997, 1997
    oil on canvas
    40.5 x 51cm
    signed and dated
  • Breon O'Casey, Mountain, 1997
    Breon O'Casey
    Mountain, 1997
    etching, editon of 10
    signed
    38 x 57cm
  • Breon O'Casey, Trio, 1997
    Breon O'Casey
    Trio, 1997
    etching with aquatint
    edition of 25
    signed
    47 x 63cm
  • David Hockney RA, Small Dogs, 1995
    David Hockney RA
    Small Dogs, 1995
    aquatint, edition of 80
    signed
    40 x 55cm
  • William Gear RA, Untitled 1995, 1995
    William Gear RA
    Untitled 1995, 1995
    mixed media on paper
    28 x 39cm
    signed
  • George Dannatt, Portland - Abandoned Workings - Night , 1994
    George Dannatt
    Portland - Abandoned Workings - Night , 1994
    gouache on card
    18.2 x 21.8cm
  • Paula Rego RA, Never Never Land, 1992
    Paula Rego RA
    Never Never Land, 1992
    etching and aquatint
    29.8 x 45cm (plate)
    50.1 x 60.1cm (sheet)
    signed
  • Romi Behrens, Plaza Hotel, Cadaqués, 1992
    Romi Behrens
    Plaza Hotel, Cadaqués, 1992
    oil on board
    38 x 41cm
  • William Gear RA, Untitled May 1992, 1992
    William Gear RA
    Untitled May 1992, 1992
    monotype and inks
    54 x 75cm
    signed verso
  • George Dannatt, Ringmoor Camp, 1991
    George Dannatt
    Ringmoor Camp, 1991
    oil on hardboard
    18.2 x 21.8cm
  • Howard Hodgkin RA, Street Palm, 1990-91
    Howard Hodgkin RA
    Street Palm, 1990-91
    intaglio print with carborundum, with hand colouring in egg tempera
    Signed
    149 × 120cm
  • Patrick Caulfield, Arita Flask, 1990
    Patrick Caulfield
    Arita Flask, 1990
    screenprint on paper
    107.2 x 81.1cm
    signed
  • Patrick Caulfield, Arita Flask in Black, 1990
    Patrick Caulfield
    Arita Flask in Black, 1990
    screenprint on paper
    107.2 x 81.1cm
    signed
  • Victor Pasmore, Idea for Davide, 1990
    Victor Pasmore
    Idea for Davide, 1990
    original painting mounted on wood with a painted dot
    signed
    43 x 52.5cm
  • William Gear RA, Monotype Landscape, 1989
    William Gear RA
    Monotype Landscape, 1989
    ink monotype
    29 x 41cm
  • William Gear RA, Untitled, MAy 1989, 1989
    William Gear RA
    Untitled, MAy 1989, 1989
    acrylic on paper
    40 x 50cm
    signed
  • William Gear RA, Yellow Structure, 1989
    William Gear RA
    Yellow Structure, 1989
    acrylic and monotype
    45 x 50cm
  • William Gear RA, Blue Trellis, 1988
    William Gear RA
    Blue Trellis, 1988
    ink on paper
    40.5 x 50.5cm
    signed
  • Michael Rothenstein RA, Giant Cockerel , 1987
    Michael Rothenstein RA
    Giant Cockerel , 1987
    woodcut print
    50.5 x 85cm
  • William Gear RA, Untitled 1987 IV, 1987
    William Gear RA
    Untitled 1987 IV, 1987
    acrylic on paper
    40 x 49cm
    signed
  • William Gear RA, Untitled Sept 1987, 1987
    William Gear RA
    Untitled Sept 1987, 1987
    gouache on paper
    34 x 50cm
  • William Gear RA, Untitled Sept 1987 II, 1987
    William Gear RA
    Untitled Sept 1987 II, 1987
    gouache on paper
    39.5 x 28.5cm
  • William Gear RA, Untitled Sept 87 III, 1987
    William Gear RA
    Untitled Sept 87 III, 1987
    acrylic on paper
    56 x 38cm
    signed
  • David Hockney RA, Landscape with a Plant, 1986
    David Hockney RA
    Landscape with a Plant, 1986
    original print on 100% rag Arches 120g laid paper
    edition of 50
    27.9 x 43.2cm
    signed
  • David Hockney RA, Man Reading Stendahl, 1986
    David Hockney RA
    Man Reading Stendahl, 1986
    original print on 100% rag Arches 120g laid paper
    35.6 x 21.6cm
    signed
  • Roy Lichtenstein, Whaam, 1986
    Roy Lichtenstein
    Whaam, 1986
    offset lithograph (diptych) on Huntsman Superwhite cartridge paper
    published by Tate Gallery
    edition of 3000 unsigned
    64 x 74.5cm (each)
    unsigned
  • Patrick Caulfield, Female Costume Design for “Party Games”, 1984
    Patrick Caulfield
    Female Costume Design for “Party Games”, 1984
    acrylic on paper
    29.5 x 42cm
    signed
  • Patrick Caulfield, Male Costume Design for “Party Games”, 1984
    Patrick Caulfield
    Male Costume Design for “Party Games”, 1984
    acrylic on paper
    29.5 x 41.8cm
    signed
  • William Gear RA, Black Origin, 1983
    William Gear RA
    Black Origin, 1983
    acrylic on paper
    40 x 53cm
    signed
  • Tom Wesselmann, Lulu, 1982
    Tom Wesselmann
    Lulu, 1982
    lithograph on japan paper
    ediiton of 250
    Published by Metropolitan OPera and Circle Gallery, New York
    56.3 x 76.6cm (paper)
    42.6 x 63.8cm (plate)
    signed
  • George Dannatt, Pot au Feu, 1982
    George Dannatt
    Pot au Feu, 1982
    acrylic on board
    28.7 x 48.4cm
  • Michael Rothenstein RA, Red Berries , 1982
    Michael Rothenstein RA
    Red Berries , 1982
    woodcut
    46 x 70.5
  • George Dannatt, Collage in Brown, Blue & Red, 1980
    George Dannatt
    Collage in Brown, Blue & Red, 1980
    collage on paper
    39 x 49cm
  • Henry Moore, Reclining Figure, 1978
    Henry Moore
    Reclining Figure, 1978
    etching
    19 x 25cm (plate)
    24.6 x 35.6cm (sheet)
    unsigned
  • Henry Moore, Reclining Nude, 1977-78
    Henry Moore
    Reclining Nude, 1977-78
    etching and wash
    14.5 x 20.1cm (plate) 23 x 30.2cm (paper)
    rare trial proof
    unsigned
  • Henry Moore, Reclining Nude, 1977-78
    Henry Moore
    Reclining Nude, 1977-78
    etching
    14.5 x 20.1cm (plate) 23 x 30.2cm (paper)
    rare trial proof
    unsigned
  • George Dannatt, Study for Sandbar, 1976
    George Dannatt
    Study for Sandbar, 1976
    mixed media on paper
    16 x 20.5cm
  • Margaret Lovell D.LITT, FRBS, RWA, Winged Spiral Tower, 1976
    Margaret Lovell D.LITT, FRBS, RWA
    Winged Spiral Tower, 1976
    bronze
    43 x 9cm
    edition AC 2
  • Marc Chagall (1887 - 1985), Ce lui qui dit les choses sans rien dire (Plate 22), 1975 - 76
    Marc Chagall (1887 - 1985)
    Ce lui qui dit les choses sans rien dire (Plate 22), 1975 - 76
    etching & aquatint on Velin Arches paper
    proof of an edition of 225, with the publishers watermark ME
    47 x 36cm
    unsigned
  • Julian Trevelyan, Aigues Mortes , 1975
    Julian Trevelyan
    Aigues Mortes , 1975
    etching, edition of 57
    signed
    35.5 x 47.9cm
  • John Piper, Smailholm Tower, 1975
    John Piper
    Smailholm Tower, 1975
    gouache on paper
    39.4 x 58.4cm
    signed
  • William Scott, Untitled, from a Poem for Alexander, 1975
    William Scott
    Untitled, from a Poem for Alexander, 1975
    screenprint on paper
    edition 58/72
    7.6 x 38.2cm (paper)
    48 x 22.2cm (image)
    Signed
  • Margaret Lovell D.LITT, FRBS, RWA, Petal III, 1974
    Margaret Lovell D.LITT, FRBS, RWA
    Petal III, 1974
    bronze
    H. 33cm
    edition 5 of 6
  • Julian Trevelyan, Silo, 1974
    Julian Trevelyan
    Silo, 1974
    etching, edition 1 of 25
    signed
    25.5 x 35.5cm (plate)
    40 x 59cm (paper)
  • Henry Moore, Seated Figure and Ideas for Sculpture, 1973-4
    Henry Moore
    Seated Figure and Ideas for Sculpture, 1973-4
    lithograph
    26.7 x 24.4cm
    signed
  • Patrick Heron, January 1973, Plate 18, 1973
    Patrick Heron
    January 1973, Plate 18, 1973
    screenprint, Artist's Proof
    68 x 92.3cm
    signed and dated
  • Henry Moore, Stonehenge III, Against the Sky, 1973
    Henry Moore
    Stonehenge III, Against the Sky, 1973
    lithogragh, edition: Artist's Proof
    signed
    Public Collections: Henry Moore Foundation; Tate Galleries; Met Museum, New York
    Image: 32 x 45.4cm
    Paper: 45.8 x 58cm
  • Henry Moore, Stonehenge IX, Head of a Giant, 1973
    Henry Moore
    Stonehenge IX, Head of a Giant, 1973
    lithograph
    41.2 x 29cm (plate) 57.7 x 46cm (paper)
    edition 23 of 60
    signed
  • Henry Moore, Stonehenge V, Hacked Stone, 1973
    Henry Moore
    Stonehenge V, Hacked Stone, 1973
    lithograph
    29.3 x 45.5cm (plate) 57.7 x 46cm (paper)
    edition 23 of 60
    signed
  • Henry Moore, Stonehenge V, Hacked Stone, 1973
    Henry Moore
    Stonehenge V, Hacked Stone, 1973
    lithograph
    29.3 x 45.5cm (plate) 57.7 x 46cm (paper)
    edition 23 of 60
    signed
  • Henry Moore, Stonehenge V, Hacked Stone, 1973
    Henry Moore
    Stonehenge V, Hacked Stone, 1973
    lithograph, edition of 25
    signed
    Public Collections: The Met Museum, New York; Tate Galleries; Henry Moore Foundation
    29.3 x 45.5cm (plate) 57.7 x 46cm (paper)
    edition 23 of 60
  • Henry Moore, Stonehenge XI, 1973
    Henry Moore
    Stonehenge XI, 1973
    lithograph
    edition of 60
    45 x 28.5cm
    signed
  • Barbara Hepworth, Green Man, 1972
    Barbara Hepworth
    Green Man, 1972
    screenprint, edition of 200
    74 × 54 cm
    signed
  • George Dannatt, Night Litany No 3 - Study , 1972
    George Dannatt
    Night Litany No 3 - Study , 1972
    gouache & crayon
    Image: 17.8 x 25.4 cm
    Frame: 33.0 x 40.6 cm
  • Ben Nicholson, Still Life, 1971
    Ben Nicholson
    Still Life, 1971
    lithograph
    47.5 x 66cm
    signed verso
  • Henry Moore, Three Reclining Figures, 1971
    Henry Moore
    Three Reclining Figures, 1971
    lithograph on paper
    19.9 x 19.2cm
    edition of 5000
    unsigned
  • George Dannatt, Two Blacks, 1971
    George Dannatt
    Two Blacks, 1971
    graphite, charcoal and crayon on paper
    24.6 x 30.7cm
  • Patrick Heron, Untitled, 1971
    Patrick Heron
    Untitled, 1971
    screenprint, edition of 75
    signed
    79 × 59cm
  • Tony O'Malley, Window, 1971
    Tony O'Malley
    Window, 1971
    etching, edition 2 / 20
    signed
    25.4 x 25.4cm
  • Barbara Hepworth, Assembly of Square Forms, 1970
    Barbara Hepworth
    Assembly of Square Forms, 1970
    screenprint on TH Saunders wove paper
    77.5 × 58.1 cm
    signed
  • Sir Terry Frost RA, Green and Orange, 1970
    Sir Terry Frost RA
    Green and Orange, 1970
    lithograph, edition 1 of 75
    signed
    50.8 × 65.7cm
  • George Dannatt, Icon, 1970
    George Dannatt
    Icon, 1970
    oil on paper
    Image: 12.7 x 17.7 cm
    Frame: 27.3 x 32.4 cm
  • George Dannatt, Study for Tantris No 2- Ovid Form (with squares), 1970
    George Dannatt
    Study for Tantris No 2- Ovid Form (with squares), 1970
    acrylic on paper
    Image: 14 x 16.3cm
    Frame: 30.5 x 33cm
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