-
Sandra Blow RAMillennium, 2000screenprint
edition of 10063.8 x 51.2cmsigned -
Tom Phillips RAMoment Musicale, 2000etching, edition of 100
signed51 x 65cm -
John Hoyland RAOver Blue, 2000screenprint and woodcut60 x 50cmsigned -
David Mach RAUntitled, 2000screenprint, edition of 100
signed51 x 65cm -
Patrick CaulfieldVase, 2000screenprint on wove paper
edition of 10063.8 x 51.2cmsigned -
Breon O'CaseyLandscape, 1999linocut
edition of 1547 x 61cm -
George DannattUntitled, 1999 -
Eduardo PaolozziUntitled, 1999silkscreen on wove62 x 51cmsigned -
George DannattWhite Discus, 1998oil on board8.6 x 27.8cm -
John Croft CBEJanuary 1997, 1997oil on canvas40.5 x 51cmsigned and dated -
John Croft CBEMarch 1997, 1997oil on canvas40.5 x 51cmsigned and dated -
Breon O'CaseyMountain, 1997etching, editon of 10
signed38 x 57cm -
Breon O'CaseyTrio, 1997etching with aquatint
edition of 25
signed47 x 63cm -
David Hockney RASmall Dogs, 1995aquatint, edition of 80
signed40 x 55cm -
William Gear RAUntitled 1995, 1995mixed media on paper28 x 39cmsigned -
George DannattPortland - Abandoned Workings - Night , 1994gouache on card18.2 x 21.8cm -
Patrick HeronUntitled, 1994original monotypesigned, dated and inscribed 'Camden Arts Centre / 5 November 1994: VII' in pencil verso -
Paula Rego RANever Never Land, 1992etching and aquatint29.8 x 45cm (plate)
50.1 x 60.1cm (sheet)signed -
William Gear RAUntitled May 1992, 1992monotype and inks54 x 75cmsigned verso -
George DannattRingmoor Camp, 1991oil on hardboard18.2 x 21.8cm -
Howard Hodgkin RAStreet Palm, 1990-91intaglio print with carborundum, with hand colouring in egg tempera
Signed149 × 120cm -
Patrick CaulfieldArita Flask, 1990screenprint on paper107.2 x 81.1cmsigned -
Patrick CaulfieldArita Flask in Black, 1990screenprint on paper107.2 x 81.1cmsigned -
Victor PasmoreIdea for Davide, 1990original painting mounted on wood with a painted dot
signed43 x 52.5cm -
William Gear RAMonotype Landscape, 1989ink monotype29 x 41cm -
William Gear RAUntitled, MAy 1989, 1989acrylic on paper40 x 50cmsigned -
William Gear RAYellow Structure, 1989acrylic and monotype45 x 50cm -
William Gear RABlue Trellis, 1988ink on paper40.5 x 50.5cmsigned -
Michael Rothenstein RAGiant Cockerel , 1987woodcut print50.5 x 85cm -
William Gear RAUntitled 1987 IV, 1987acrylic on paper40 x 49cmsigned -
William Gear RAUntitled Sept 1987, 1987gouache on paper34 x 50cm -
William Gear RAUntitled Sept 1987 II, 1987gouache on paper39.5 x 28.5cm -
William Gear RAUntitled Sept 87 III, 1987acrylic on paper56 x 38cmsigned -
David Hockney RALandscape with a Plant, 1986original print on 100% rag Arches 120g laid paper
edition of 5027.9 x 43.2cmsigned -
David Hockney RAMan Reading Stendahl, 1986original print on 100% rag Arches 120g laid paper35.6 x 21.6cmsigned -
Roy LichtensteinWhaam, 1986offset lithograph (diptych) on Huntsman Superwhite cartridge paper
published by Tate Gallery
edition of 3000 unsigned64 x 74.5cm (each)unsigned -
Patrick CaulfieldFemale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 42cmsigned -
Patrick CaulfieldMale Costume Design for “Party Games”, 1984acrylic on paper29.5 x 41.8cmsigned -
William Gear RABlack Origin, 1983acrylic on paper40 x 53cmsigned -
Tom WesselmannLulu, 1982lithograph on japan paper
ediiton of 250
Published by Metropolitan OPera and Circle Gallery, New York56.3 x 76.6cm (paper)
42.6 x 63.8cm (plate)signed -
George DannattPot au Feu, 1982acrylic on board28.7 x 48.4cm -
Michael Rothenstein RARed Berries , 1982woodcut46 x 70.5 -
George DannattCollage in Brown, Blue & Red, 1980collage on paper39 x 49cm -
Lynn ChadwickTwo Figures, 1980pen and ink with watercolour34 x 46cmsigned -
Henry MooreReclining Figure, 1978etching19 x 25cm (plate)
24.6 x 35.6cm (sheet)unsigned -
Henry MooreReclining Nude, 1977-78etching and wash14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned -
Henry MooreReclining Nude, 1977-78etching14.5 x 20.1cm (plate) 23 x 30.2cm (paper)rare trial proofunsigned -
George DannattStudy for Sandbar, 1976mixed media on paper16 x 20.5cm -
Margaret Lovell D.LITT, FRBS, RWAWinged Spiral Tower, 1976bronze43 x 9cmedition AC 2 -
Marc Chagall (1887 - 1985)Ce lui qui dit les choses sans rien dire (Plate 22), 1975 - 76etching & aquatint on Velin Arches paper
proof of an edition of 225, with the publishers watermark ME47 x 36cmunsigned -
Julian TrevelyanAigues Mortes , 1975etching, edition of 57
signed35.5 x 47.9cm -
John PiperSmailholm Tower, 1975gouache on paper39.4 x 58.4cmsigned -
Margaret Lovell D.LITT, FRBS, RWAPetal III, 1974bronzeH. 33cmedition 5 of 6 -
Julian TrevelyanSilo, 1974etching, edition 1 of 25
signed25.5 x 35.5cm (plate)
40 x 59cm (paper) -
Eduardo PaolozziUntitled, 1974screen print
Artist's Proof96.5 x 68.2cmsigned -
Henry MooreSeated Figure and Ideas for Sculpture, 1973-4lithograph26.7 x 24.4cmsigned -
Patrick Heron59 x 81cm, 1973screenprint, edition 95 / 100
59.5 x 78cmsigned -
Patrick HeronJanuary 1973, Plate 18, 1973screenprint, Artist's Proof68 x 92.3cmsigned and dated -
Patrick HeronSix in Vermillion with Green in Yellow, 1973screenprint, edition 98 / 100
59.5 x 78cmsigned -
Patrick HeronSix in Vermillion with Violet and Red, 1973screenprint, Artist's Proof edition
59 x 81cmsigned -
Henry MooreStonehenge III, Against the Sky, 1973lithogragh, edition: Artist's Proof
signed
Public Collections: Henry Moore Foundation; Tate Galleries; Met Museum, New YorkImage: 32 x 45.4cm
Paper: 45.8 x 58cm -
Henry MooreStonehenge IX, Head of a Giant, 1973lithograph41.2 x 29cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed -
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed -
Henry MooreStonehenge V, Hacked Stone, 1973lithograph29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60signed -
Henry MooreStonehenge V, Hacked Stone, 1973lithograph, edition of 25
signed
Public Collections: The Met Museum, New York; Tate Galleries; Henry Moore Foundation29.3 x 45.5cm (plate) 57.7 x 46cm (paper)edition 23 of 60 -
Henry MooreStonehenge XI, 1973lithograph
edition of 6045 x 28.5cmsigned -
Patrick HeronWinchester Four IV, 1973screenprint, edition 18 / 100
59.5 x 78cmsigned -
Barbara HepworthGreen Man, 1972screenprint, edition of 20074 × 54 cmsigned -
George DannattNight Litany No 3 - Study , 1972gouache & crayonImage: 17.8 x 25.4 cm
Frame: 33.0 x 40.6 cm -
Ben NicholsonStill Life, 1971lithograph47.5 x 66cmsigned verso -
Henry MooreThree Reclining Figures, 1971lithograph on paper19.9 x 19.2cmedition of 5000unsigned -
George DannattTwo Blacks, 1971graphite, charcoal and crayon on paper24.6 x 30.7cm -
Tony O'MalleyWindow, 1971etching, edition 2 / 20
signed25.4 x 25.4cm -
Barbara HepworthAssembly of Square Forms, 1970screenprint on TH Saunders wove paper77.5 × 58.1 cmsigned -
Sir Terry Frost RAGreen and Orange, 1970lithograph, edition 1 of 75
signed50.8 × 65.7cm -
George DannattIcon, 1970oil on paperImage: 12.7 x 17.7 cm
Frame: 27.3 x 32.4 cm -
Patrick HeronSix in Vermillion with Red in Red, 1970screenprint, edition of 100
signed78 x 59cm -
George DannattStudy for Tantris No 2- Ovid Form (with squares), 1970acrylic on paperImage: 14 x 16.3cm
Frame: 30.5 x 33cm -
Margaret Lovell D.LITT, FRBS, RWAAugustine Head, 1969bronze, edition of 694 x 33cmsigned -
David Hockney RAPleading for the Child, 1969etching on handmade paper
edition of 100 signed impressions62 x 46cm (paper)
45 x 32cm (plate)signed
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