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Modern British Art: Lynn Chadwick | Barbara Hepworth | Damien Hirst | Henry Moore

Current exhibition
20 March - 30 April 2026
  • Edward Burra Mary Queen of Scots, 1929 woodcut Artist's Proof, aside edition of 45 signed 30 x 24.5cm
    Edward Burra
    Mary Queen of Scots, 1929
    woodcut
    Artist's Proof, aside edition of 45
    signed
    30 x 24.5cm
  • Damien Hirst Fate - Butterflies portfolio, 2009 etching & aquatint, on heavy wove paper edition of 45 signed 47.3 × 39.3cm
    Damien Hirst
    Fate - Butterflies portfolio, 2009
    etching & aquatint, on heavy wove paper
    edition of 45
    signed
    47.3 × 39.3cm
  • Damien Hirst Regeneration - Butterflies portfolio, 2009 etching & aquatint, on heavy wove paper edition of 45 signed 47.3 x 39.3cm
    Damien Hirst
    Regeneration - Butterflies portfolio, 2009
    etching & aquatint, on heavy wove paper
    edition of 45
    signed
    47.3 x 39.3cm
  • Barbara Hepworth Rangatira II, 1969 screenprint on Sounders mould-made paper signed 76 × 57.5cm
    Barbara Hepworth
    Rangatira II, 1969
    screenprint on Sounders mould-made paper
    signed
    76 × 57.5cm
  • Barbara Hepworth Two Marble Forms, Mykonos, 1969 lithograph, edition of 60 signed 82 x 58cm Public Collections: Tate Galleries
    Barbara Hepworth
    Two Marble Forms, Mykonos, 1969
    lithograph, edition of 60
    signed
    82 x 58cm
    Public Collections: Tate Galleries
  • Barbara Hepworth Forms in a Flurry screenprint, edition of 60 signed 77.4 x 58.5cm
    Barbara Hepworth
    Forms in a Flurry
    screenprint, edition of 60
    signed
    77.4 x 58.5cm
  • Henry Moore Eight Reclining Figures, 1962 pen and ink on paper 29.2 x 23.3cm
    Henry Moore
    Eight Reclining Figures, 1962
    pen and ink on paper
    29.2 x 23.3cm
  • Henry Moore Three Sisters, 1981 lithograph in colours on BFK Rives Wove edition of 50 signed 56.5 x 45cm
    Henry Moore
    Three Sisters, 1981
    lithograph in colours on BFK Rives Wove
    edition of 50
    signed
    56.5 x 45cm
  • Henry Moore Study for Textile Design, 1943 watercolour, pencil, wax crayon and crayon on paper 25.5 x 18cm
    Henry Moore
    Study for Textile Design, 1943
    watercolour, pencil, wax crayon and crayon on paper
    25.5 x 18cm
  • Henry Moore Reclining Nude, 1977-78 etching and wash 14.5 x 20.1cm (plate) 23 x 30.2cm (paper) rare trial proof unsigned
    Henry Moore
    Reclining Nude, 1977-78
    etching and wash
    14.5 x 20.1cm (plate) 23 x 30.2cm (paper)
    rare trial proof
    unsigned
  • Henry Moore Lullaby Sleeping Head, 1973 lithograph in colours on wove edition of 75 signed 64 x 50cm
    Henry Moore
    Lullaby Sleeping Head, 1973
    lithograph in colours on wove
    edition of 75
    signed
    64 x 50cm
  • Henry Moore Reclining Figure 3, 1977-78 etching with aquatint Artist's Proof 22.6 x 30cm signed
    Henry Moore
    Reclining Figure 3, 1977-78
    etching with aquatint
    Artist's Proof
    22.6 x 30cm
    signed
  • Henry Moore The Show Sheep – Plate III, 1974 etching, edition of 80 signed Image: 18.7 x 25.2cm Paper: 31 x 38.5cm
    Henry Moore
    The Show Sheep – Plate III, 1974
    etching, edition of 80
    signed
    Image: 18.7 x 25.2cm
    Paper: 31 x 38.5cm
  • Henry Moore Two Upright Motives, 1966 lithograph 16.6 x 14.1cm 38 x 30.8cm edition 53 of 65 signed
    Henry Moore
    Two Upright Motives, 1966
    lithograph
    16.6 x 14.1cm 38 x 30.8cm
    edition 53 of 65
    signed
  • Henry Moore Log Pile II etching and drypoint edition of 50 signed Public Collections: Henry Moore Foundation; Tate Galleries 19.9 x 19.2cm (plate) 42.2 x 36.2cm (paper) edition 9 of 50 signed
    Henry Moore
    Log Pile II
    etching and drypoint
    edition of 50
    signed
    Public Collections: Henry Moore Foundation; Tate Galleries
    19.9 x 19.2cm (plate) 42.2 x 36.2cm (paper)
    edition 9 of 50
    signed
  • Henry Moore Stonehenge XIV - Moon Lightfall lithograph, edition of 60 29 x 45.5cm signed
    Henry Moore
    Stonehenge XIV - Moon Lightfall
    lithograph, edition of 60
    29 x 45.5cm
    signed
  • Henry Moore Stonehenge XIII lithograph, edition of 60 29 x 45.5cm signed
    Henry Moore
    Stonehenge XIII
    lithograph, edition of 60
    29 x 45.5cm
    signed
  • Henry Moore Stonehenge XII lithograph, edition of 60 29 x 45.5cm signed
    Henry Moore
    Stonehenge XII
    lithograph, edition of 60
    29 x 45.5cm
    signed
  • Henry Moore Stonehenge XIII lithograph, edition of 60 29 x 45.5cm signed
    Henry Moore
    Stonehenge XIII
    lithograph, edition of 60
    29 x 45.5cm
    signed
  • Henry Moore Stonehenge IX, Head of a Giant, 1973 lithograph 41.2 x 29cm (plate) 57.7 x 46cm (paper) edition 23 of 60 signed
    Henry Moore
    Stonehenge IX, Head of a Giant, 1973
    lithograph
    41.2 x 29cm (plate) 57.7 x 46cm (paper)
    edition 23 of 60
    signed
  • Henry Moore Stonehenge II, Sarsens and Lintel lithograph 28.8 x 45.3cm (plate) 45.8 x 58cm (paper) edition 23 of 60 signed
    Henry Moore
    Stonehenge II, Sarsens and Lintel
    lithograph
    28.8 x 45.3cm (plate) 45.8 x 58cm (paper)
    edition 23 of 60
    signed
  • Damien Hirst Cineole, 2004 aquatint etching on Hahnemühle paper edition 103 of 145 signed by the artist on the front and numbered on the reverse 114.3 × 111.8 cm 45 × 44 in
    Damien Hirst
    Cineole, 2004
    aquatint etching on Hahnemühle paper
    edition 103 of 145
    signed by the artist on the front and numbered on the reverse
    114.3 × 111.8 cm
    45 × 44 in
  • Damien Hirst Cinchondine, 2004 aquatint etching on Hahnemühle paper edition 103 of 145 signed by the artist on the front and numbered on the reverse 114.3 × 111.8 cm 45 × 44 in
    Damien Hirst
    Cinchondine, 2004
    aquatint etching on Hahnemühle paper
    edition 103 of 145
    signed by the artist on the front and numbered on the reverse
    114.3 × 111.8 cm
    45 × 44 in
  • Damien Hirst Ciclopirox Olamine, 2004 aquatint etching on Hahnemühle paper edition 103 of 145 signed by the artist on the front and numbered on the reverse 114.3 × 111.8 cm 45 × 44 in
    Damien Hirst
    Ciclopirox Olamine, 2004
    aquatint etching on Hahnemühle paper
    edition 103 of 145
    signed by the artist on the front and numbered on the reverse
    114.3 × 111.8 cm
    45 × 44 in
  • Damien Hirst Xylene Cyanol Dye Solution, 2005 aquatint etching on Hahnemühle paper edition 16 of 65 Signed and numbered by the artist 96.5cm x 73cm
    Damien Hirst
    Xylene Cyanol Dye Solution, 2005
    aquatint etching on Hahnemühle paper
    edition 16 of 65
    Signed and numbered by the artist
    96.5cm x 73cm
  • Damien Hirst Bromphenol Blue, 2005 aquatint etching on Hahnemühle paper edition 16 of 65 2005 signed by the artist on the front and numbered on the reverse 76cm x 91cm
    Damien Hirst
    Bromphenol Blue, 2005
    aquatint etching on Hahnemühle paper
    edition 16 of 65 2005
    signed by the artist on the front and numbered on the reverse
    76cm x 91cm
  • Lynn Chadwick Standing Figure, 1969 lithograph Artists Proof aside from edition of 150 82 x 59cm signed
    Lynn Chadwick
    Standing Figure, 1969
    lithograph
    Artists Proof aside from edition of 150
    82 x 59cm
    signed
  • Lynn Chadwick Seated Figure lithograph Artists Proof aside from edition of 100 90 × 63.5cm signed
    Lynn Chadwick
    Seated Figure
    lithograph
    Artists Proof aside from edition of 100
    90 × 63.5cm
    signed
  • Lynn Chadwick Maquette of Seated Couple bronze 38 x 28 x 24cm
    Lynn Chadwick
    Maquette of Seated Couple
    bronze
    38 x 28 x 24cm
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