Lydia Corbett, born in Paris, 1934 was famously introduced to Pablo Picasso in the 1950s. This chance encounter was a very important moment for both Picasso and for Lydia, or Sylvette David as she was then known. For Picasso, Sylvette became the subject of large and important body of work, including more than sixty paintings, drawings and sculptures. For Sylvette, not only was her innocent, youthful beauty immortalized, but she would be remembered as a muse of the great artist – ‘The Girl with the Ponytail’. Picasso’s work and their relationship would become a constant source of inspiration for her own painting many years later.
Solo exhibition at David Simon Contemporary March 2019
Lydia Corbett was born in Paris in 1934 to an influential art dealer based in the Champs Elysees, and his wife, a studio potter. At the age of nineteen Lydia had moved to Vallauris in the south of France with her mother who worked at a pottery studio in the town. It was here that she had a chance encounter with Pablo Picasso nearly sixty years ago, in 1954. Sylvette was chatting with friends while smoking and drinking coffee on one of the terraces of the town’s potteries. Over the wall of the neighbouring studio, Sylvette spotted Picasso holding up one of his pictures. It was a simple image of a young woman with a fringe and a ponytail; it was a portrait of her, executed from memory. One day she knocked on the door of his studio, he was delighted to see her and welcomed her in. ‘I want to paint Sylvette!’, Picasso exclaimed. Sylvette had started to wear her hair in a very unique manner, after her father saw a ballet Greek drama and was enchanted by a woman with a ponytail worn high up on the crown of her head. He told Sylvette that she should wear her hair like this. Sylvette did this and loved it – it was such an unusual look ahead of fashion that lots of people commented upon and it was this feature that caught Picasso’s eye, fascinated by Greek mythology as he was.
‘Picasso was a comic, he liked laughing and joking and behaving like a bit of a clown – a clever one.’ ‘I love to paint figures quickly. He taught me a lot without saying a word’. She would sit for him in an armchair while Picasso painted her in his simple studio, surrounded by many pots. Francoise had left Picasso by this time and he was lost without his wife and two children. He told Sylvette that he found her company as a model of great consolation to him and gave her a portrait of her. She would not accept money to pose, as she realised this would make her obliged to be nude for him. She never posed naked, although he did paint a couple of paintings of her imagined unclothed. Picasso gave Lydia a huge amount of confidence in herself as a painter, although it was not until she was in her forties that she started to paint, once her children had grown.
Corbett moved to England in 1968 where she pursued her own painting career, presenting twelve solo exhibitions in London. In 1991 she exhibited in Japan, and in the United States of America in 2004. In 2014 an exhibition of her watercolours were shown at Theater Bremen, concurrently with a major exhibition of Picasso’s work inspired by her, ‘Sylvette, Sylvette, Sylvette’ held at the Kunsthalle Bremen. These two exhibitions were the subject of a film produced by ARTE broadcast in England and Germany. First exhibition with David Simon Contemporary 2016. Next solo exhibition March 2019.